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third-option

Two Trains

February 4, 2016 by Aaron
andre de korvin, music, nquit, piano, poetry, techno, third option, two trains


Hey! Still (slowly) writing little bits about tracks. Here is track 3 from the main The Four Hard Edges Of War:

I didn’t do it on purpose (except maybe subconsciously), but I can’t help but notice the beat is sort of like – well – a train chugging along. Chigga chigga chigga chigga – CHOO CHOO!

“I would like to sleep, oblivious of the thousand faces of corruption” – see it’s lines like that that just get me. Andre de Korvin is a badass poet!

What else can we say about this track that you might care about? Well there’s two piano tracks again. And there’s some crazy delay effects on them. There’s also several versions of the drum track that kind of get layered. I love when the beats just BREAK and for like a measure is JUST live piano – that sounds fantastic to me. I love contrast and I love natural instruments….oh and then it breaks again and he’s talking “and ivy grows from dolls with cut off heads…”

I’m not sure I actually love this song personally though…it’s so airy and ethereal in a way that I don’t enjoy, but hopefully other people. That’s something to note. A lot of times you just make the music that YOU want to hear…but sometimes the muse pulls you and you end up just playing, composing, doing something that you really don’t even care for as a listener, it’s not what you would have thought of, it’s just flowing through you. It’s not for you and it may not even be FROM you, if you believe in that sort of spiritual stuff. I think letting that happen is really very key. I think that’s a part of the right of passage of a creative person, especially a professional, to be able to follow the muse, and follow through and finish things, and let go and let it be for other people. I talk about it being for other people a lot. That’s why musicians seem to crave attention or fame, I think. Because they want to know that what they’re doing musically is affecting and moving other people. It’s this dream to think of gobs of people having a relationship with something you made…

I still like that thought…

Ok I got mixing to do…

iTunes US

A Pinhole Shot From A .38 That Broke The Aching Sun

November 4, 2015 by Aaron
bart train, pinhole shot, subway, suzy, third option, third rail


I have a friend, Suzy, who I’ve known since 2004. I’ve never met Suzy in person. We met on Yahoo Chat. This was before Facebook if you can believe it! Now Suzy and I text and when one of us is drunk, we might call. I’ve seen Suzy go through relationships, deaths, changes. I’ve talked to her mom. I’ve seen pictures of her dogs. She’s helped me through breakups and heartaches. I’ve pissed her off, I’ve made her laugh. This is a good friend.

I met Suzy because for a while in 2004, after I’d been dumped by my girlfriend, I was spending a lot of time locked away in my apartment drinking Bud Ice (because it was the cheapest beer I could find), doing music composition exercises for classes at the University of Houston, listening to Jack Johnson and Manu Chao longingly, and chatting with people online. There were beer bottles and loose leaf sheet music everywhere, my studio gear, such as it was, was strewn about in piles, and I was basically the living embodiment of the blues. There’s something to be said for that, but I wouldn’t do it again!

Anyway, the way I met Suzy is, I saw her name on Yahoo and said “are you real?”, because at that time, these chat rooms were becoming less and less human and more and more spam bot. She always mentions how I said that. Apparently it was a really weird thing to say! I kept talking to Suzy off and on, even after I left Houston. I left Houston to go to The Bay Area, where I was accepted into the Master’s program at Stanford’s famed “CCRMA” (Center For Computer Research in Music and Acoustics), but I was still really sad and lonely from the breakup.

I used to ride around on the BART train a lot (it’s really the best way to get around out there). I did some poetry slam, I did some going around playing the piano at open mics, but generally I was just in school or riding around. I could have gone to hang with my friends who were hanging around with Green Day all the time, but instead I kind of rode around on the train.

As I was finishing Stanford and going back to our insane loft in Oakland, I decided to get the hell out of dodge. I’d been invited to play piano with Buddy Wakefield, who if you don’t know was an individual national poetry slam champion who had just signed with Strange Famous Records, which is the label owned by former Epitaph rapper Sage Francis. I’d done the piano for Buddy’s poem “Convenience Stores”, which turned out to be super popular. So I went down to Austin for the National Poetry Slam, where Buddy was opening for Sage at Emo’s. I remember standing in the audience while another opener did their thing and seeing this insanely pretty girl who I couldn’t take my eyes off of. She seemed to feel the same way because without a word she came up and put her arm around me. I really enjoyed the next part – she turned away for a bit, and it being time to do so, I disappeared and the next time she saw me I was on stage! πŸ™‚ That won me points, clearly, but then she was ALL about getting me to get her into Sage’s green room, and I’m sorry, but I’m a professional. No dice! Besides, I was tired! Time for bed, yo! Heh.

ANYWHO, after I played Buddy’s piece, Sage invited me to come out and play with one of his tunes. I asked the guitar player the key, and he didn’t know, he just yelled a couple chords in my ear. So I made some stuff up on the fly and was digging on the 2000 candles being held up. It was phat.

After that, I did some other stuff and I was back home in Oakland. I forget how this time line goes, but I remember being at the same triangle corner desk when I sent Suzy a set of lyrics for a new possible song as when I got a call from Buddy saying would you like to do some dates with Ani Difranco. (YES!!). I sent these lyrics, to this thing called Third Rail, which was about all the feelings and thoughts that had been swirling around while I rode around on the lonely BART trains at night. I tried for it to be a slam poem, but it came out too rhymey.

It starts with “I see a flash from the third rail, and I wonder where it’s from, it’s like a pinhole shot from a .38 that broke the aching sun”.

Well I sent it to Suzy to see what she thought, and she wrote back right away and said she’d been crying. She liked it. It moved her to tears. That kind of thing doesn’t happen every time, but when it does, MAN, that’s cool stuff. So I made it into this song, which is kind of odd because it has no choruses. It has pianos and guitars by my friend Eric and this ethereal feel (I think). And I learned to play it (VERY SIMPLY) on the piano, and did it around Oakland sometimes. The point, I guess, is that it was kind of an exciting time. Bigger shows, people being moved, etc. I did five dates with Buddy and Ani Difranco where all I had to do was play 4 minutes and take in the sights. I even got paid twice as much to handle merch sales at Buddy’s table! HA! The funnest show was at The Mountain Winery, where my fingers were slightly slow from it being a chilly outdoor venue, I’d forgotten my sustain pedal but Todd (Ani’s bassist) couldn’t tell, and I didn’t have to sell merch because the venue handled it, so I got to watch Ani’s whole show from the side of the stage. YEAH! Or was it L.A.? That was cool because Buddy and I went swimming at Todd’s apartment’s pool, got some good eats, and everybody sang happy birthday to Ani before the show and ate cake. She was 7 months pregnant and we got to meet her husband and everything. It was fun times.

Anyway, the song Third Rail is on an album (Bleed) and such, but I thought I’d give it to you for free here. Because why the hell not? This here is the “dirty single” version, which technically is unreleased although it’s not really different than the album version (it just has a crazy intro cut out but it still has swear words πŸ™‚ ).

So here – download the Third Rail dirty single here (it’s not that dirty).

I think things have gotten a lot less lonely and more inspiring since then, so if you want to hear how that progression has gone, you can check out my new thing Livin Is Bling here. I’d be delighted to hear what you think!

Cheers,

Aaron

The Far View

July 28, 2015 by Aaron
andre de korvin, poetry, techno, the four hard edges of war, third option


Here’s the second track on The Four Hard Edges Of War – The Far View.

What can I say here? As I listen I’m trying to remember how to play that piano part. It’s amazing how much you can forget. Oh there’s two piano parts. I do that a lot. Like a duet – only I’ll record in the same range – so it’s like two actual pianos rather than four hands one piano.

I love the line “..that emptiness starts to fill their space…”. I always found the poem/book (The Four Hard Edges Of War) so amazing because it’s so surreal but then if you look again at the language it’s SO plain. I think Andre’s a big ‘ol genius.

There’s all this scheme programming in this one I think. And multiple versions of the drum loop that are messed up in various ways.

“Awake and drifting through the water…”

“red faces of admirals flicker..”

That’s kind of how I hear poetry when it’s read, in these snippets surrounded by un-languaged energy swirling around. I hadn’t noticed that that’s how I then used the poem in this bunch of avante garde ass techno dance music. I was thinking of it like samples you might hear in a night club. We always thought of Third Option that way. You’d go to an underground club and hear the boom boom chi boom and then some snippet of a movie or something – it might say “danger danger go go go” or something and we wondered what it would be like if those snippets were actual poetry – and original. So here’s Andre doing this thing in snippets – and it’s much different – but hopefully honors, Andre’s meaning and energy in his original poem and reading. Of course we made the original reading available too, because HEY! πŸ™‚ Here’s that:

Ha Ha when I hear him say stuff, I expect the beat to come in…and then it doesn’t! lol

Wow. “I would like to sleep, oblivious, of the thousand faces of corruption.” Yep.

HEY! Here’s a thing – you can now grab a couple FREE Third Option tracks – just click HERE and enjoy on me! πŸ™‚

[purchase_link id=”1275″ text=”Download The Four Hard Edges Of War Here” style=”button” color=”blue”]

iTunes US

The View From Lighter Years Away

July 17, 2015 by Aaron
andre de korvin, nquit music, piano, poetry, spoken word, techno, the view from lighter years away, third option


HEY! For the first time in like…what? 10 years? I’m writing these little blog posts again! Linking to TUNEZ, sayin some STUFF. πŸ™‚

Ok…I’m gonna start in on The Four Hard Edges Of War, which is the last Third Option album, made mostly at CCRMA at Stanford. It’s a collaboration between me and Andre de Korvin, a great great poet from Houston. So first of all, here’s the first track…

The View From Lighter Years Away

That title is his – see what we did is, there’s a book by him: The Four Hard Edges Of War which as you see, we’ve also re-released as a digital book…

We recorded him reading the book. Then years later, I cut up piece of that recording, and used it as inspiration and weaved it in to a bunch of avante garde techno/piano. The View From Lighter Years away is track 1, because it’s section 1 in the book. The book is four parts.

All of the music stuff on Four Hard was created in strange ways, as various homework assignments in the master’s program at CCRMA. There’s real pianos that I played, but there are also drum tracks written in linux using Hydrogen, there are noise pieces and riffs written by programs…yes I meant that. I would write programs that would write music. That was part of the course of study! Here’s a picture of the studio where a lot of this record was made:

20130814_145755

That’s actually a picture from 2013 but it’s pretty same same.

Andre was recorded earlier – like in 2002 or so, in Houston at Rock Romano’s Red Shack.

So there you go – a short post, but a post none-the-less!

HEY! Here’s a thing – you can now grab a couple FREE Third Option tracks – just click HERE and enjoy on me! πŸ™‚

– Aaron

[purchase_link id=”1275″ text=”Download The Four Hard Edges Of War Here” style=”button” color=”blue”]

iTunes US

Monkey Rhymes

September 22, 2008 by Aaron
aaron j. trumm, monkey rhymes, monkey set, nquit music, poetry, spoken word, techno/classical, third option, trance


Monkey Rhymes, by Third Option

Quick song. I could barely get the link and the lyrics and the buy button pasted by the time it was over!

Yes this is the monkey rhymes one I talked of before that was so berated by some cat on Broadjam.com – here it is in all it’s glory!


i don’t know but i been told
that you want me to fold
i don’t know but i been told
that you want monkey to fold

monkey in my monkey zoo fuck you
but if you wanna look at me you must be true
and i ain’t lookin for nobody at the back of the room
you must get yourself up front if you want this tune
’cause i’m more than a skinny little lemur from burma
been to every other town down with every fraterni
tee! i’m a monkey hey! look at me
i think you need to look in a mirror
then you’ll see
hey hey! party people! look what ya see!
i guess ya didn’t realize that you’re just like me
now what you gonna say
when monkey come to play
for the last time on the last day
yeah
you won’t even look
’cause you way too shook
just like Peter when he caught Wendy with that Hook
but you don’t really need to worry when I’m stealin your curry
’cause every monkey in the jungle knows
i’m in a hurry!
to get back to the top of the food chain
keep ya monkeyin around til you go insane
yeah here we go for the last time look at me now
monkey see monkey do
breakin outta the zoo!

i don’t know but i been told
that you want me to fold
i don’t know but i been told
that you want monkey to fold

monkey
monkey see monkey do
monkey make money in the back of the santa monica zoo
monkey say the last word from the last man from the last mouth
from the last family monkey on the planet

monkey

won’t take this

anymore.

So there you have it! But hey – you still might want to get your FREE DOWNLOADS! CLICK HERE FOR THAT! πŸ™‚

[purchase_link id=”1318″ text=”Download The Monkey Set Here” style=”button” color=”blue”]

iTunes US

You Can Never Stop Us

September 18, 2008 by Aaron
aaron trumm, classical, fusion, monkey set, poetry, spoken, techno, third option, trance, word, you can never stop us


You Can Never Stop Us, by Third Option

Oh wow I almost forgot about this one. The thing that I like about this one, actually, is how there’s this group of dudes (multiple version of me of course) saying “you can never stop us” real fast and for most of the time, it just sounds like rhythm instruments, but then at times I notice “oh yeah those are dudes saying you can never stop us!” That’s neat πŸ™‚

There’s really a mixed message in this piece of poem. It’s interesting, because I do that a lot, but I think that makes a more accurate representation of “truth”. “Truth” isn’t this black and white thing where you can take one position. I’ve always said (not always – but a long time) that “truth is a mobius” – meaning that if you take a “position” on something, and follow the train of logic long enough, you’ll find yourself saying the opposite of what you started saying. I think this is part of the fundamental nature of things, where reality is paradoxical – and we do find that most of the greatest truths ARE very paradoxical. Committment-Non-Attachment is one of the major ones.

When it comes to this poem, there isn’t really a paradox as much as a double-edged sword. I was ranting about the wonderfulness of monkeys (monkeys still of course being a very thinly veiled metaphor for humanity) and I say how we dance on the corpse of impossibleness and it seems that this is good news to me, and I like it, and I want it. And then I say how we will adapt, and that still seems to be good news, but then in the next line I say “too dry, monkey? casinos with water fountains every 30 feet” and at that point it no longer seems like good news. Now I’m saying this is ridiculous, we’re not accepting, in effect, we’re NOT adapting, we’re forcing the environment to adapt, we’re trying to put water where there is not water.

And that does sort of emphasize again the mobius nature of truth and reality. We start out with adapting, take it too far, and come out not adapting. Doing the very opposite. And well, I guess I just become another person pointing out that there can be too much of a good thing, that anything taken too far is too much.

I guess that’s why some wise people say “everything in moderation, even moderation.”

The “lyrics” in question:

allow me to introduce myself
i’m the tallest monkey in the clouds
and you can never stop us
because monkeys know just what to do
where to do it
and how

monkeys know just how to howl at the moon
like wolves could never do
you can never stop us
we’ll run to the edges of earth
and when 100 of us know
the rest of know

and when the rest of us follow the edges of the san francisco trolly of the beat
monkeys help dance on the corpse of impossibleness

until the fattest monkey of them all transforms
right here in the desert
monkey wants to make a killing in the arizona sun
too hot, monkey?
we’ll adapt
too dry, monkey?
casinos with water fountains every 30 feet
monkeys
monkeys
show us your true colors

trapped at the edges of the world rolling dough

you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us
you can never stop us

Even if you want to stop us ;), there’s still free stuff at thirdoptionmusic.com πŸ™‚

– Aaron

[purchase_link id=”1318″ text=”Download The Monkey Set Here” style=”button” color=”blue”]

iTunes US

Run

September 17, 2008 by Aaron
aaron trumm, monkey set, music, run, spoken word, techno/classical/poetry fusion, third option


Run, by Third Option

Pretty sure I improv’d this whole piece of poem here to tape. I remember a few days later I did an improv based on this – or – wait – it could be – yes I think it is – I think it’s reversed. What really happened was I did an improv with this refrain “run out the door we don’t need no more plastic floors” at a youth/teen slam in Spring, TX which I was hosting. We had a little round of doing improv and they all wanted me to try, and something like this is what I said. I didn’t say monkeys, but I did use that run out the door thing. I remember that I did it much better at the slam, actually. I remember I kind of starting taking off and getting into this socio political shit about 7up bottles and plastic floors and it was really powerful and people were like “WOW! DAMN! AMAZING! HOLY SHIT!” and such.

Yeah, and then this time, I didn’t quite get the same badassness as at the slam, but I got somethin. πŸ™‚

That reminds me of this one guy who used to slam around the nation. His name was Abraham and he was from the south somewhere. He had a really sort of huck finn/way spiritual vibe – not straight essay style easy to understand spoken word like they do in slam nowadays, but poetry stuff, but he’d really go off. And he was an amazing improv person. I saw him improv at the Taos Poetry Circus slam and the thing about him was, his improv, the stuff that just came to mind for him, was the same as his written poetry. He just thought and talked like that. I mean I guess he didn’t talk like that if you sat at coffee with him, but when he improv’d it was no less poetic and crafted and beautiful. He could probably improv and you wouldn’t be able to tell. But not like guys who write as if they were talking or writing a prose essay. Like a POET, which was really weird and amazing to watch. He would just launch into this spiritual flight immedietly. I really tried to take him into me and have his thing become a part of my style. He was fuckin amazing. I wonder whatever happened to that guy.

Anyway here’s what’s on the record as far as poem for “Run”:


run
run
run out the door
run out the door
we don’t need no more plastic floors
run
run
out the door
where the tree lined skies begin again
run
out the door
run out the door
we don’t need no more plastic floors
run out the door
run out the cage
run out the stage
run off the stage
run off this stage of monkey lies and monkey things
and monkey things we must not do run
out the door
run out the door
we don’t need no more plastic floors
we got dirt
we got soil
we got the red wet earth
run out the door
run out the door
we don’t need no more plastic floors
we don’t need no more plastic floors
we don’t need no more plastic floors
monkeys
belong
in trees
in jungles
in the earth
on the earth
on the red wet earth
we don’t need no more plastic floors
we don’t need no more
plastic floors

We don’t need plastic floors, but we DO need FREE STUFF! GET IT! πŸ™‚

[purchase_link id=”1318″ text=”Download The Monkey Set Here” style=”button” color=”blue”]

iTunes US

Monkey See

September 9, 2008 by Aaron
aaron trumm, monkey see, monkey set, nquit music, poetry, propellerhead rebirth, techno, third option

Here’s Monkey See, by Third Option

Hmm. Maybe I should have made other songs called “monkey do” and…oh that’s the whole phrase.

Some of this is improv’d too, but then I guess I wrote it down and then recorded it – or something.


monkey monkey monkey see
monkey do
monkey make money in the back of the zoo
monkey take
monkey make
monkey make money make money monkey
make take money take monkey take
monkey take
monkey don’t like to give
now all the vicious monkeys in the jungle cage the rest in zoos

monkey
monkey
monkey!

monkey jump from the bridge to the roof
monkey sit sadly in the street lights waiting for groove
monkey
monkey
monkey say
wanna plaaaaaaaaaaaaaayyyyyyyyyyyyyyy????

monkey dance with demons when the day go away
monkey wants
monkey wants
monkey wants what they don’t have in santa monica zoo
monkey thinks
monkey sits
monkey finally decides to split

and now monkey gets all fucked up on qualudes and burnt toast
and all monkey wants to do is fuck some little monkey girls
but monkey girls know better than to fuck with monkey now
’cause monkey look more like an ape these days
all buffed up on horse hormones
lookin like he mighta gone to mad monkey land
“yeah, i’m mad,” monkey says
“I’m really really mad! because they don’t play my song anymore!”
“because they won’t give me what I want anymore”
“because all those things we talked about before ain’t happenin anymore”
“because I NEED my monkey greed, motherfucker”
“and I’mon wrap my tail around any tree limb coca leaf twig bean or branch”
“that takes me outta this fucked up America of broken monkey lives”
“i’m not a monkey, I’m just a brown man with a brown plan”
“and maybe you oughtta remember that the next time you slap my hand”
“yeah, monkey read, monkey think, monkey LEAD”
“monkey rise up and make a revolution”
“how many king kongs are there?”
“only ONE”
“and when he falls,
“all the monkeys and lions and wildebeasts in the jungle are gonna have a little love in”
“til there ain’t no more powder cane monkeys spillin poison in the jungle streets”
“til there ain’t no more woe or wonder or hard monkey choices”
“til the rest of us take charge”
“and NOBODY calls us monkey anymore!!!”

Meanwhile, still have some free stuff at thirdoptionmusic.com πŸ™‚

– Aaron

[purchase_link id=”1318″ text=”Download The Monkey Set Here” style=”button” color=”blue”]

iTunes US

Monkeys Belong In The Jungle Baby

September 5, 2008 by Aaron
monkey set, monkeys belong in the jungle baby, piano, poetry, techno, third option, trance


Well here, again, is the first “track” of The Monkey Set, “Monkeys Belong In The Jungle Baby”. It’s really just the build up to the first poem thing/second track. Here’s the “lyrics”, or the “poem” for this part. Which isn’t really lyrics or a poem. It’s just some improv I did on the mic. But then I noticed that that had a little statement – we belong in the jungle. Not in vast expanses of concrete. Etc.

I’m not really sure why I was saying “lonely lovely bouncing baby”. *laugh*


monkey

monkey

lonely
lovely
bouncing baby
lonely
lovely
bouncing baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby
lonely lovely bouncing baby
monkeys belong in the jungle baby

That’s – you know – kind of all there is to this one. I regret having the vocals throughout this whole CD be a little too quiet. But I kinda like my performances from just a vocal art/sound perspective. *shrug*

So as always, I say grab some free Third Option stuff right in this link! πŸ™‚

– Aaron

[purchase_link id=”1318″ text=”Download The Monkey Set Here” style=”button” color=”blue”]

iTunes US

Bodies (The “hidden” track)

September 2, 2008 by Aaron
bodies, cult of nice, third option


This is the “hidden” track on Cult Of Nice. It’s not really hidden on the CD, per se. It’s just track 12 – but there’s a 13 second delay before it starts, and it’s not listed on the liner notes on the CD. But everywhere digital, it’s just there.

I did this one all by myself πŸ™‚ – Meaning Tamara was out of town, and I did the whole thing in one night and surprised her with it. I used some outtakes of her going “sometimes silence is sexy” and did some weird feedback stuff where I set up this mic and had the speakers in the room on, and noticed it was making WEIRD feedback noises, so I recorded them!

Then I was putting together this track by myself and drinking a lot of beer. Then I sort of improv’d the poetry stuff live on the mic and such. It was very fun. I did some creative stuff that I was sort of proud of, like some tempo changes, including a sort of tempo fade, and also a sort of key change where the organ slowly morphs into a lower key. I did all that using MIDI techniques, not audio manipulation. It was neat.

Then I liked how it got all nutballs at the end and had the shaky strings going “wwwaaaahhh!!!” “brraarrwwww!!!” But my favorite thing about this track was always the bassline. It just always made me happy and sounded badass.

This one’s one to listen to all the way through because of all those strings and piano changes. It’s not a “chorus verse chorus” type of “song”. In fact I remember thinking that I was trying to write it in some sort of linear progression like classical music.

Oh that’s a trip. I never realized til just this second that standard pop music is actually circular. I never would have attributed a sort of Eastern way of doing things to an essentially Western art but there you go. Pop music is circular. Whereas classical music is linear. Not sure all classical music is linear, but some is, I guess.

Bye!



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