This was fun. I played it live in the studio. So obviously I can play it and sing it. I think it’s my second song written that way.
This song has a verse for my friend Suzy (the first verse) and a verse for my friend Tammy. (The second verse – her picture was on the keyboard when I was writing).
And then of course the chorus is supposed to be all about how life’s not THAT hard, your limitations are perceived, you can do it! Dunno if anyone got that from it though. The energy in the song is real sad and sad-reflective and it’s hard when you mix energies like that. I really think the energy in the melody and stuff trumps what the lyrics are saying every time.
It was a lonely sad hard thing sitting in there writing and playing in the studio. I think the piano sounds beautiful though, I love the sound of clean, real piano recorded decently. But totally lonely and hard in the studio. Beautiful studio, hard wood floor, great mics, Stanford privilage, but hard. I was always writing things basically that were these sort of prayers to the wind to find love. I had a girlfriend for like 3 months during that time but it didn’t go too far. I think she liked this song though. Her and some other people said it was the more powerful one on the record. One friend of mine said he much preferred it to all the overdubbing and production in the title track.
That’s a good lesson is it’s easy to overproduce and especially if maybe you have some real passion or some talent, then you should allow yourself to be more naked and revealed out there and don’t cover yourself up with too much trickery. I mean I guess unless your talent IS the trickery.
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