Musical Instruments – Aaron J. Trumm

What the hell is a Moog?

February 8, 2016 by Aaron

analog, analog synth, electronic, moog, music, robert moog, switched on bach, synthesizer

OMG! A Moog! Is…a synthesizer. You see one pictured here. Moog is actually pronounced “Mohg” – hey MOE-g! But many people say “mooooog” – like a cow with a g. Incorrectly. Just so you know 🙂

Third Option isn’t Moog-centric per se, but it’s a key component in the history of electronic music.

The Moog synth – or series of synths, was invented by a cat named Robert Moog, who, well, you also see pictured above.

There’s a lot of technical, complicated ways to describe a Moog synthesizer, and instruments like it, but for the lay person I think it can best be described like this: It looks like an old telephone operator’s console, where you can plug different wires all around (called patching, which is why the telephone operator would say “I’ll patch you through” and is also why when a musician refers to a certain setting on a synthesizer, they refer call it a “patch”), and end up making a sound kind of like this.

Yeah I know. But you can see it being cool right? Sure you can. This is where “synthesis” and any kind of electronic music was born. Now when you just have the big ‘ol patch module and it’s just constantly buzzing, there’s not too much use for that. But attach something like a keyboard, which was an arbitrary choice btw, and you can now tell it to stop and start and change the pitch and stuff and wam! You can make stuff like this.

Or this: Switched On Bach which was done all on Moog synths. This was incredibly fascinating back in the day, trust me. I remember this being one of the first CDs my parents got when a CD player finally came into our house.

The point, mainly, is when you hear someone talk about a Moog, and you think “WTF?”, just know that it is a synthesizer, kind of the father of synthesizers, and that it sounds like a big ass buzzsaw unless you do something cool, in which case it can sound like a lot of cool stuff, like changing the pitch, whether you’re dealing with a sine wave or a sawtooth wave (what the HELL?), changing the attack, the release, modulation, etc etc etc!! Also know that it’s an ANALOG synthesizer (ooh I just thought of my next “what the hell?”), which is different than a DIGITAL synthesizer (oh the what the hell’s are piling up). Analog synthesizers came first. They use actual electrical signal to make noise, as opposed to using 1s and 0s to communicate to (or from) a computer chip how to make noise.

We’ll talk about those soon, I promise. 🙂

For now, go get some free music of mine at thirdoptionmusic.com so you’ll have something to do while you wait 😉

— Aaron

What the hell is a TR-808 (and TR-909)?

February 8, 2016 by Aaron

dance music, drum machine, electronic music, hip-hop, music production, musical instruments, roland, synthesizer, tr-808, tr-909, tr808, tr909

Hi! I promised I’d talk about the TR808 and TR909 drum machines…oh – yes what the hell is a tr-808 (and tr-909)? They are drum machines. They are old school drums machines by Roland.

Above is the TR-808 and here is a TR-909:

TR-909

I love to quote Wikipedia, so here’s paragraph 1 on the TR-808:

The Roland TR-808 Rhythm Composer (a.k.a. the “808”) was one of the first programmable drum machines (“TR” standing for Transistor Rhythm). Introduced by the Roland Corporation in the early 1980s, it was originally manufactured for use as a tool for studio musicians to create demos. Like earlier Roland drum machines, it does not sound very much like a real drum kit. However, the TR-808 cost US$1,195 upon its release, which was considerably more affordable than digital sampling machines such as the US$5,000 Linn LM-1.

These actual machines are sort of rare these days, but samples and software that make that exact sound are not – you’ve heard the 808 everywhere. When you listen to dance music that has the big booming kick drum every beat, that’s usually some derivation of the 808. Especially when you get the booooooooooommmmm kick that has a long decay – that’s usually an 808 sample. The snare on the 808 is equally distinctive – it’s a tiny little crappy snare sound that gets used a lot in hip-hop even to this day. It’s not used to sound big but more…I dunno – clean and cute?

Here’s the most basic, classic 808 sound in action:

Recognize those sounds, don’t ya? 🙂

The TR-909 came around in 1984 and was an upgrade from the 808. It was the first drum machine to implement MIDI and the sound was supposedly an upgrade, but to me, it’s just different. In the 909, some of the sounds are actually samples as opposed to synthesized sounds (the hi-hats mostly).

This site has a whole bunch of songs that used the TR-909 (or its samples). This Daft Punk song is a pretty straight forward use:

The basic kick drum sound in the 909 is much tighter with a brighter attack, so I always tend to go for that sample more than the 808. The snare is much much thicker as well.

Today pretty much any synth or software with drum sounds will have sounds that emulate the TR-808 at least, and usually both. Usually they’re not billed as samples from the machines, but it’s a pretty distinctive sound. In general MIDI, patch 137 (Synth Set 1) is pretty much the TR-808 and patch 138 (Synth Set 2) is pretty much the TR-909. In some synths, there’s a drum kit called “Analog” which is basically the TR-808.

I notice the 808 snare is used quite a lot in recent hip-hop. In fact I’m amazed how much. Here’s a beat from the aptly named “808 Mafia”:

All 808 baby.

And here’s one that’s surprising that it’s surprising, because of how much we’ve all heard it:

Yep – Marvin Gay! 🙂 Thanks to FlavorWire for reminding me of that one!

So – you see – when I mention the TR-808 or TR-909, I’m basically talking about quintessential electronic drums, which we’ve all heard a LOT of. At this point, we’ve all heard the TR-808 and 909s as much as real drum kits.

Ok! I hope you enjoyed THAT. And yes, Third Option has used these sounds plenty 🙂 Especially the kick drums…

— Aaron